Since then I have been exploring further and I have been pulling out a selection of resources to help expand our work with the Goddess in our journals.
This week we will be working with the Katharina Rapp’s Everyday Goddess Cards a friend lent me. With a delicious and slightly wicked sense of humour Rapp’s paintings take a light-hearted, yet compassionate look at the lives of everyday women. While her cards are out of production you can visit Studio Rapp in Castlemaine and immerse yourself in the world of this talented artist.
Mother, mother, what ill-bred aunt
Of what disfigured and unsightly
Cousin did you unwisely keep
Unasked to my christening, that she Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and not at foot and head
And at the left side of my crib?
-Disquieting Muses 1957 Sylvia Plath
Back in the day, when I first began running writing classes, I used to invoke the Muse by setting up an altar, burning sage and having everyone actually imagine they could hear the rustling of gowns as the muses came to join us. Ask anyone who participated at that time and they will leave you in no doubt that the Muses were responsive. These wild women were overjoyed to be invited, having felt that they had been all but forgotten for centuries.
At this same time, I was establishing the Soul Food Cafe and one of the early sections I built was The House of the Muse. As a part of this feature, I gathered a collection of hymns to the muse. Then, when my late husband and I travelled throughout Europe for six months the absolute highlight was finally reaching Delphi, Mount Olympus and other sanctuaries in Greece. At Delphi, I called upon the Delphic Oracle and all but plunged myself in the famed waters of Castalia. I bought back bottles filled with water from the Castalian Spring, decanted the magical water into smaller bottles and gave these to those willing to anoint themselves and experience a heightened sense of creativity.
Time has passed and I have never forgotten these big-hearted muses who were so responsive to my call for support. Perhaps it was these heavenly spirits who gently reminded me that there is a whole cast of female mystics who would willingly give their time to massage the creativity of those who feel that it has waned a bit.
Little wonder that, seemingly by chance, I came into possession of Mirabai Starr’s ‘Wild Mercy – Living the Fierce and Tender Wisdom of the Female Mystics’. It is the perfect text to introduce early in my Great Escape – Intensive Journal Writing Class.
To learn more about what we did in this class and to engage online you need to subscribe to Trains of Thought. To get the key to Trains of Thought choose the amount you are able to afford (no more than $40 in your currency), pay heatherblakey@fastmail dot fm via PayPal and contact her with details of your WordPress account. It is very easy to acquire an account with WordPress and you may choose to keep your intensive journal online in a private blog. Once you have subscribed, email me your WordPress account email and I will add you to the site. This is intended to become a collaborative blog and you will be able to post and comment.
The bodhisattvas are beings who have realized enlightenment but who remain active in the world, appearing in many forms to help others and lead them to enlightenment. They are venerated and called upon for help in time of need. Creative people are known to suffer from periods where they feel that the spirit of creativity has gone walkabout and abandoned them. At such time Quan Yin may be just the deity to turn to.
One of the deities most frequently seen on altars in China’s temples is Quan Yin (also spelled Kwan Yin, Kuanyin; in pinyin, Guanyin). In Sanskrit, her name is Padma-pâni, or “Born of the Lotus.” Quan Yin, alone among Buddhist gods, is loved rather than feared and is the model of Chinese beauty. Regarded by the Chinese as the goddess of mercy, she was originally male until the early part of the 12th century and has evolved since that time from her prototype, Avalokiteshvara, “the merciful lord of utter enlightenment,” an Indian bodhisattva who chose to remain on earth to bring relief to the suffering rather than enjoy for himself the ecstasies of Nirvana. One of the several stories surrounding Quan Yin is that she was a Buddhist who through great love and sacrifice during life, had earned the right to enter Nirvana after death. However, like Avlokiteshvara, while standing before the gates of Paradise she heard a cry of anguish from the earth below. Turning back to earth, she renounced her reward of bliss eternal but in its place found immortality in the hearts of the suffering. (Read More)
In a journal writing class, I remind you that within you beats a wild and compassionate heart, alive with fierce optimism. You have the courage to walk a path of transformation. You will not be tamed by convention. You are not afraid to be different, to take risks for what you love, and most of all, to keep hope in your heart. You are one of the wild ones.
Drawing a card from this deck can help when the Spirit of Creativity appears to be distracted and wandered off. This oracle deck channels the energy of the Divine Mother to bring you comfort. She’ll remind you of your fire, your boldness, your unique beauty, your passion, your courage. She’ll guide you through even the darkest trials into the blessing of new life. She’ll open your heart and mind to untold possibilities and assist you to live your highest destiny with fearlessness and joy.
It is time for play. The more bizarre, left field, unexpected and apparently ridiculous the better. This may not feel safe or appropriate at first. That is okay. That is good actually. It is a sign that you are breaking with your self-imposed conventions. It is time to move beyond them now because a bigger life adventure is calling you.
Sacred Rebels – Alana Fairchild
This is a time when we can unleash and play with the Sacred Fool. The fool is a great rebel, able to thwart conventions and tell the truth without restraint.
Our journals provide a safe space to let the fool, who does not give a hoot about what the mind is saying, have free reign. In an intensive journal writing class, we do not have to worry about being socially acceptable or what others may think of us when we sit outside reading children’s books to the trees.
The day time class provides the opportunity for us to sling our creative medicine bags, filled with supplies, over our shoulders and wander around Castlemaine. For example, in order to position ourselves in the now, we may take time to visit the nearby collectible place and see what items demand to be given a voice within our journals. We may sit outside the nearby coffee house, visit the art gallery and step inside artwork, check out what is going on at the Railway Station or just wander down some streets and see what endless variety of nothing turns out to provide a rich vein of gold.
For details check out the Castlemaine Community House. Alternatively, if you are interested in joining a small evening group in a private home, contact me for details.