Honouring The Pioneers

Henry Lawson’s The Drover’s Wife is an Australian classic that depicts life for the early Australian pioneers. McCubbin’s monumental painting The pioneer reflects the self-conscious nationalism of the years immediately following Federation. Each panel is ‘read’ to link the progress of toil on this land across time.

The first panel shows a pioneering couple in their new bush environment: the man is lighting a fire to boil the billy, while the woman contemplates their future life. The second panel shows the couple several years later: the woman holds a baby, land has been cleared and a small house has been built. In the final panel a bushman discovers a grave, and in the background a city begins to emerge. It is uncertain who has died and whether the male figure is the pioneer, his son or a stranger. By presenting his painting across three panels – the triptych format for traditional religious art – McCubbin elevated the status of the pioneer within Australian art history.

The pioneers who came to Central Victoria are honoured in various ways. Less marks the lives of those people who lived on the land that was not actually empty when Europeans first arrived.

This installation, at the Vaughan Cemetery, was gifted by the artist in memory of her pioneering ancestors who, like couple, sacrificed so much and contributed to shaping the township of Vaughan. She also pays respect to the Dja Daj Warring, the first people who lived here.

Remembering Margaret Scott

Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.
Emily Dickinson

Archie and Neeky do love to add new places to their sniffing GPS! Cemeteries like this give rare, personal glimpses into other ages.

In memory of John Scott the beloved husband of Margaret Scott who died 1879 aged 57. Margaret died 25 years later in 1904

I stopped to talk to Margaret Scott who survived her husband. I explained that my husband had died at 58 and that I wanted to know how her life changed after John’s death at 57! Had she forged a completely different life for herself? Had it been as tough living in this region at this time as I imagined it might be? What did she do while she waited for Godot?

Margaret’s silence suggested that I should talk to the living about such matters.