Treasure Hunting in Blanket Gully Road

Ochre was the most important painting material used traditionally by Aboriginal people. It is mined from particular sites and is a crumbly to hard rock heavily coloured by iron oxide. The source material was traded extensively across Australia in the past, with some material traveling many hundreds or even thousands of kilometres from where it was mined to where it was used. It comes in a variety of colours from pale yellow to dark reddish-brown.

Follow Blanket Gully Road until it comes to a T intersection and you enter a very different world from the new housing estate, on the outskirts of Campbells Creek, that you pass to get here. This is a corner of the world full of stones, ochres and pigments. It is not the ideal place for the dog or the little people but it is a surreal landscape full of treasure for the artist.

Nature’s Rock Art

In ancient India lived a sculptor renowned for his life-sized statues of elephants. With trunks curled high, tusks thrust forward, thick legs trampling the earth, these carved beasts seemed to trumpet the sky. One day, a king came to see these magnificent works and to commission statuary for his palace. Struck with wonder, he asked the sculptor, “What is the secret of your artistry?”
Eknath Easwaran

The sculptor upon taking measure of the monarch explained the process. Nature is yet to reveal the secret of its artistry. Perhaps she will reveal it to you if you talk to one of these stone people!

While Waiting for Godot promotes contemplative practices. Take the time to check out Contemplative Practices and the Tree of Contemplative Practices for inspiration.

The Potential of Stones and Pebbles

The island where I live is peopled with cranks like myself. In a cedar-shake shack on a cliff – but we all live like this – is a man in his thirties who lives alone with a stone he is trying to teach to talk.
Annie Dillard

 

Annie Dillard’s essay, Teaching a Stone to Talk, is one of her most brilliant. Whereas wisecracks abounded about the young man who tried to teach a stone to talk, for the most part everyone respected what Larry was doing. It is certainly less controversial to sit, partaking of a conversation with a stone that has been carved into the shape of a man.

In creative classes that I have run I have regularly dispensed stones and asked people to spend private time talking to them. Try it out for yourself! Take a walk sometime, watch for a stone that seems to grab your attention… pick it up, turn it over a few times and look for images on it’s surface. Allow those images to relay words to your mind. Let something emerge and grow.

Of course, like me, you may be content to simply photograph the stones you have been inspired to stop to discuss the meaning of life with. The ones here were photographed at the Forest Creek Diggings. After the total upheaval of the 1851 gold rush like me, in the face of compounding losses, they are mute and have little to say about their loss. They cannot find a way to tell me about the utter carnage that took place as every stone was turned over and the landscape ravaged in the mad quest to find gold. As remnants of much bigger stone, I understand and respect their silence. Perhaps if I visit regularly they will find a way to tell me how they have gone on living on this rock we both call home.

Or, like William Steig who created the delightful Sylvester and the Pebble, you may end up writing a story. Sylvester, a young donkey, finds a magic pebble and thanks to some very mixed up communication ends up trapped within it. It is a sobering reminder to be very careful what you wish for.