Majestic mountains, breathtaking canyon views, gorgeous arrays of sea stacks and beautiful sandstone arches are but a few of Mother Nature’s wonders that beckon photographers worldwide. These geological features lure artists of all kinds to paint, preserve, photograph, or sculpt. They’ve been cut by rivers, uplifted by faults or folds, carved by the wind, and eroded by time.
When I was out taking some photos of this anticlinal fold in the Kalimna Park, just behind Castlemaine, I was asked if I was a rock nerd. I laughed! That is a term I associate with someone like Tim Minchin, but I confess I have been looking at rocks quite a bit lately.
A new global craze has kids all over the world getting outdoors to play hide and seek with hand-painted rocks. Kids are naturally interested in rocks. How many times have we witnessed students climbing on large boulders, collecting rocks, or throwing pebbles in the river?
The painted rock craze has been praised as a cheap and easy way to get kids away from technology and outside.
The hidden rocks are typically small, flat garden stones with a simple picture or a nice message painted on either side.
The rocks are hidden in parks, with photos posted on a Facebook page so other parents can take their children to find the rocks, then re-hide them somewhere else.
Rather than paint them I am happy to keep a small collection in the garden this lovely statue.
Educating students on rocks and minerals is an important and fun part of science curriculum. This activity will lead to many more fun things to do and may result in an interest in photography and a growth of interest in geology.
Ochre was the most important painting material used traditionally by Aboriginal people. It is mined from particular sites and is a crumbly to hard rock heavily coloured by iron oxide. The source material was traded extensively across Australia in the past, with some material traveling many hundreds or even thousands of kilometres from where it was mined to where it was used. It comes in a variety of colours from pale yellow to dark reddish-brown.
Follow Blanket Gully Road until it comes to a T intersection and you enter a very different world from the new housing estate, on the outskirts of Campbells Creek, that you pass to get here. This is a corner of the world full of stones, ochres and pigments. It is not the ideal place for the dog or the little people but it is a surreal landscape full of treasure for the artist.
In ancient India lived a sculptor renowned for his life-sized statues of elephants. With trunks curled high, tusks thrust forward, thick legs trampling the earth, these carved beasts seemed to trumpet the sky. One day, a king came to see these magnificent works and to commission statuary for his palace. Struck with wonder, he asked the sculptor, “What is the secret of your artistry?”
Mt Alexander (Leanganook)
Mount Alexander (Leanganook)
Forest Creek Diggings
Forest Creek Digging
Geo Maze Forest Creek Diggings
The sculptor upon taking measure of the monarch explained the process. Nature is yet to reveal the secret of its artistry. Perhaps she will reveal it to you if you talk to one of these stone people!
While Waiting for Godot promotes contemplative practices. Take the time to check out Contemplative Practices for inspiration.
The island where I live is peopled with cranks like myself. In a cedar-shake shack on a cliff – but we all live like this – is a man in his thirties who lives alone with a stone he is trying to teach to talk.
Forest Creek Digging
Forest Creek Diggings
Annie Dillard’s essay, Teaching a Stone to Talk, is one of her most brilliant. Whereas wisecracks abounded about the young man who tried to teach a stone to talk, for the most part everyone respected what Larry was doing. It is certainly less controversial to sit, partaking of a conversation with a stone that has been carved into the shape of a man.
In creative classes that I have run I have regularly dispensed stones and asked people to spend private time talking to them. Try it out for yourself! Take a walk sometime, watch for a stone that seems to grab your attention… pick it up, turn it over a few times and look for images on it’s surface. Allow those images to relay words to your mind. Let something emerge and grow.
Of course, like me, you may be content to simply photograph the stones you have been inspired to stop to discuss the meaning of life with. The ones here were photographed at the Forest Creek Diggings. After the total upheaval of the 1851 gold rush like me, in the face of compounding losses, they are mute and have little to say about their loss. They cannot find a way to tell me about the utter carnage that took place as every stone was turned over and the landscape ravaged in the mad quest to find gold. As remnants of much bigger stone, I understand and respect their silence. Perhaps if I visit regularly they will find a way to tell me how they have gone on living on this rock we both call home.
Or, like William Steig who created the delightful Sylvester and the Pebble, you may end up writing a story. Sylvester, a young donkey, finds a magic pebble and thanks to some very mixed up communication ends up trapped within it. It is a sobering reminder to be very careful what you wish for.